Kanal: Jurnal Ilmu Komunikasi https://kanal.umsida.ac.id/index.php/kanal <p><strong>KANAL: Jurnal Ilmu Komunikasi &nbsp; </strong>journal is an international journal published by <a href="http://www.umsida.ac.id/" target="_blank" rel="noopener"><strong>Universitas Muhammadiyah Sidoarjo</strong></a>. The research article submitted to this online journal will be <strong>double blind peer-reviewed (Both reviewer and author remain anonymous to each other)</strong> at least 2 (two) reviewers. The accepted research articles will be available online following the journal peer-reviewing process. <strong>Language used in this journal is English.</strong></p> <h3 class="mycustom-background">Focus and Scope</h3> <ul> <li class="show">Aim: to facilitate scholar, researchers, and teachers for publishing the original articles of review articles.</li> <li class="show">Scope: Communication Science include: <ol> <li class="show">Interpersonal Communication</li> <li class="show">Mass Communication</li> <li class="show">Politics Communication</li> <li class="show">Development Communication</li> <li class="show">Communication Media</li> <li class="show">Culture Communication</li> <li class="show">Business Communication</li> <li class="show">Public Relation</li> <li class="show">Journalism</li> </ol> </li> </ul> Universitas Muhammadiyah Sidoarjo en-US Kanal: Jurnal Ilmu Komunikasi 2302-6790 Disabilitas dan Relasi Sosial Keluarga dalam Film An Irish Goodbye: Analisis Semiotika Roland Barthes https://kanal.umsida.ac.id/index.php/kanal/article/view/1768 <p>An Irish Goodbye merupakan film yang mengangkat tema relasi sosial keluarga. Film yang meraih piala Oscar 2023 ini menceritakan pertemuan kembali Turlough dengan Lorcan, adiknya yang memiliki down syndrome, pada saat kematian ibu mereka. Dalam hal ini terjadi dinamika komunikasi antara Turlough dan Lorcan dalam menjalani hubungan keluarga. Penelitian ini bertujuan untuk memahami gambaran disabilitas dan dinamika relasi sosial dalam keluarga yang terbentuk antara Turlough dan Lorcan menggunakan analisis semiotika Roland Barthes yang melibatkan tiga tahap: denotasi, konotasi, dan mitos, untuk mengungkap makna dari tanda yang terdapat dalam adegan. Pendekatan kualitatif deskriptif dipilih dengan pengumpulan data melalui observasi adegan, dokumentasi tangkapan layar, dan studi pustaka dari berbagai referensi. Hasil penelitian, ditemukan 13 scene yang menggambarkan tiga temuan. Pertama, stereotipe terhadap disabilitas yang dialami oleh Lorcan digambarkan dengan Turlough yang melihat adiknya sebagai individu yang lemah dan tidak mempunyai logika sehingga ia mengabaikannya. Kedua, relasi keluarga dan kedekatan emosional yang terbentuk antara Turlough dan Lorcan memiliki jarak yang menciptakan konflik serta dinamika dalam relasi mereka. Ketiga, bonding antara saudara yang digambarkan melalui usaha Lorcan untuk memperkuat ikatan emosionalnya dengan Turlough, yang akhirnya menjadi lebih kuat ketika Turlough memahami dan mempercayai Lorcan. Turlough mengabaikan Lorcan karena kondisinya dan menciptakan jarak emosional dalam relasi mereka, keberhasilan upaya Lorcan, memperkuat kembali ikatan mereka dan menciptakan dinamika dalam relasi yang positif.</p> Reza Ulil Albab Rheza Zuhriya Briyan Pratiwi Copyright (c) 2024 Reza Ulil Albab, Rhesa Zuhriya Briyan Pratiwi https://creativecommons.org/licenses/by/4.0 2024-02-28 2024-02-28 12 2 40 51 10.21070/kanal.v12i2.1768 Lifestyle Construction in Coffee Shops in Malang City from the Perspective of Symbolic Violence https://kanal.umsida.ac.id/index.php/kanal/article/view/1769 <p style="font-weight: 400;">The coffee shop industry is experiencing rapid growth as coffee consumption increases in Indonesia. The focus of this research is Malang City, which is the center of coffee shop growth in Indonesia. Through a cultural studies paradigm approach, this research aims to understand the construction process of coffee consumer lifestyles in Malang City. This phenomenon marks a shift in consumer behavior from necessity to a sub-culture where coffee shops are not only a gathering place, but also a symbol of self-identity and an urban lifestyle. The research used visual methods with 6 participants from two different coffee shops. The data collection process focused on coffee shops, interior design, consumers, and visual elements that influence lifestyle. The concept of Pierre Bourdieu's social praxis theory is used as an analytical framework to understand the construction of lifestyle and the role of symbolic power. The research results show that the existence of coffee shops influences culture and lifestyle in Malang City. Starbucks, as the main agent, shapes the values and standards adopted by local coffee shops such as Amstirdam. Patterns of symbolic violence emerge in consumer clothing standards, depicting coffee shops not only as places to buy and sell coffee, but also as public spaces that shape identity and social norms. This research contributes to a deeper understanding of the role of coffee shops in shaping lifestyle and culture in society.</p> Baiq Nana Marlina Copyright (c) 2024 Baiq Nana Marlina https://creativecommons.org/licenses/by/4.0 2024-02-28 2024-02-28 12 2 52 59 10.21070/kanal.v12i2.1769 The Existence of Female Online Motorcycle Taxi Drivers as a Form of Gender Equality https://kanal.umsida.ac.id/index.php/kanal/article/view/1766 <p>Emansipasi wanita adalah sebuah ruang kesetaraan. Dengan ini, perempuan mendapatkan kekuatan untuk menyetarakan kedudukannya dengan kaum laki-laki yang berhak memiliki kapasistas serta multi peran dalam kehidupan salah satunya adalah menjalan profesi yang dipilih oleh perempuan itu sendiri. Tujuan dari</p> <p style="font-weight: 400;">penelitian ini adalah untuk melihat dan mengetahui efek dari eksistensi driver ojek online wanita sebagai bentuk kesetaraan gender. Penelitian ini menggunakan metode deskriptif dengan menggunakan metode wawancara dalam mengumpulkan datanya. Pada penelitian ini ditemukan bahwa eksistensi driver ojek online wanita bisa menjadi bentuk kesetaraan gender dilihat dari pola masyarakat yang berubah mengenai pengemudi wanita, namun diantara itu pula masih banyak masalah yang timbul yang dirasakan oleh pengemudi wanita yang dilakukan oleh pengemudi pria maupun customer. Penelitian ini terdapat keterbatasan dimana diantaranya adalah tidak banyak data pendukung yang bisa menunjang penelitian ini seperti jumlah pengemudi khususnya wanita serta data penunjang lain sehingga hasil penelitian ini hanya dari hasil wawancara dari pengemudi ojek online wanita yang ditemui dan teman-teman relasinya.</p> <p style="font-weight: 400;"><strong>Kata Kunci: Driver wanita, Eksistensi Ojek Online Wanita, Kesetaraan Gender, Emansipasi Wanita, Feminitas</strong></p> Basitha Ayu Savira Copyright (c) 2024 Basitha Ayu Savira Bashitq https://creativecommons.org/licenses/by/4.0 2024-02-28 2024-02-28 12 2 60 69 10.21070/kanal.v12i2.1766 Communication Process in Implementing Qanun Number 11 of 2018 concerning Sharia Financial Institutions and Mergers of Indonesian Sharia Banks https://kanal.umsida.ac.id/index.php/kanal/article/view/1763 <p style="font-weight: 400;"><em>In implementing Sharia banking in Indonesia, especially in Aceh, several obstacles have emerged, such as the low level of public financial literacy, the conventional bank conversion process, supervision and regulation, changes in corporate culture, and uniformity and harmonization of Sharia banking regulations. This research aims to examine and understand the communication process in the implementation of Qanun No. 11 of 2018 concerning Sharia Financial Institutions and the merger of Bank Syariah Indonesia. This research uses a descriptive qualitative method with a case study approach. Data collection was carried out in-depth and involved various sources of information, including observations, interviews, audiovisual materials, and related documents and reports. The research results highlight the importance of effective communication in dealing with change within an organization or company. Converting a conventional bank to a Sharia bank in Aceh requires a persuasive approach and efforts to create a conducive internal climate, while the Bank Syariah Indonesia merger process shows the importance of thorough communication preparation and an effective branding strategy. Establishing a new organizational structure requires the use of methods such as chair-sharing meetings and performance-based assessments. Adopting a new corporate culture, "BSI One Culture," shows how important continuous efforts are in facilitating employee adaptation and minimizing obstacles that arise. By focusing on open, strategic, and persuasive communication, Bank Syariah Indonesia successfully completed the conversion and merger process, creating operational continuity and a new corporate culture in Aceh.</em></p> Bisma Alief Yanuar Luqman Copyright (c) 2024 Bisma Alief, Yanuar Luqman https://creativecommons.org/licenses/by/4.0 2024-02-28 2024-02-28 12 2 70 80 10.21070/kanal.v12i2.1763 Analisis Framing Pemberitaan Pembunuhan Brigadir J di Media Online CNNIndonesia.com https://kanal.umsida.ac.id/index.php/kanal/article/view/1760 <p><em>This research aims to find out how the framing was carried out by CNNIndonesia.com in reporting on the murder case of Brigadier J, July 11-12 2022 edition. This research uses a qualitative description approach with Robert N Entman's framing analysis method, where Entman's framing analysis includes four stages: Define problem , Diagnose cause, Make moral Judgment, and Treatment recommendation. The results of the research show that, Define problem, disclosure of the murder case of Brigadier J. Diagnose cause is that the police believe that Brigadier J's death was motivated by sexual harassment towards the wife of the Head of the National Police Propam Division, Inspector General Ferdy Sambo. Make a moral judgment where the police emphasize Brigadier J's immoral behavior and temperament which has sexually harassed Ferdy Sambo's wife. Treatment recommendation, CNNIndonesia.com emphasizes two solutions, namely: first, the Police through the South Jakarta Metro Police and the Police Propam Division to continue to investigate the case of Brigadier J's death. Second, encourage the formation of a joint fact-finding team (TGPF) to uncover the case of his death. Brigadier J.</em>.</p> Amrin Amrin Copyright (c) 2024 Amrin Amrin https://creativecommons.org/licenses/by/4.0 2024-02-28 2024-02-28 12 2 81 90 10.21070/kanal.v12i2.1760 Generation Z Generation Z's Response in Medan City to Social Media Instagram Influencers (A Case Study of Rachel Vennya and Fadil Jaidi's Followers) https://kanal.umsida.ac.id/index.php/kanal/article/view/1754 <p>Semenjak adanya <em>handphone</em> dan dukungan internet di tangan kita, manusia semakin dapat menguasai dan menjangkau hal-hal yang disukainya dengan mudah. Bermain Instagram, mengenal orang-orang baru hingga menemukan tokoh idola sudah menjadi hal yang lumrah terjadi dalam dunia maya, khususnya bagi kaum generasi Z. Penelitian ini bertujuan untuk menggambarkan dan menjelaskan Respon Generasi Z di Kota Medan sebagai<em> followers</em> terhadap unggahan influencer Rachel Vennya dan Fadil Jaidi di Instagram. Kajian utama dalam penelitian ini adalah seperti apa <em>follower </em>Instagram Rachel Vennya dan Fadil Jaidi menyikapi segala bentuk unggahan sang influencer mulai dari aspek unggahan kegiatan sehari—hari, opini tentang suatu isu, saat sedang <em>endorsement,</em> dan dampak perubahan budaya yang dialami pengikut akibat dari sang influencer dalam kehidupan sosial. Generasi Z dalam penelitian ini mengacu pada generasi yang paling aktif bermedia sosial. Metode yang digunakan dalam penelitian ini adalah metode <em>netnografi</em>, yang mana sangat relevan dalam melakukan eksplorasi hubungan dunia digital. Tipe penelitian ini adalah kualitatif, dengan melakukan teknik pengumpulan data melalui survei <em>ad-hoc</em>, observasi digital, wawancara mendalam dan dokumentasi. Analisis data dilakukan dengan menggunakan kerangka konsep Miles &amp; Hubberman dan Spradley. Adapun hasil penelitian menunjukkan bahwa respon generasi Z di Kota Medan terhadap sosok influencer Rachel Vennya dan Fadil Jaidi memiliki kesan yang melekat dalam pengetahuan, sikap, maupun praktik. Lalu mereka juga berupaya berkomunikasi dengan influencer di Instagram, serta mengalami dampak perubahan budaya dalam pengetahuan, sikap, dan praktik pada diri individu dalam kehidupan sosialnya akibat sosok Rachel Vennya dan Fadil Jaidi di Instagram.</p> Annisa Chairani Lubis Copyright (c) 2024 Annisa Chairani Lubis https://creativecommons.org/licenses/by/4.0 2024-02-29 2024-02-29 12 2 98 108 10.21070/kanal.v12i2.1754 Da’wa Gus Baha in the Perspective of Face Negotiation Theory https://kanal.umsida.ac.id/index.php/kanal/article/view/1759 <p><em>Da’wa activities are currently increasingly easier to carry out due to the sophistication of existing technology. Even though the dissemination of da'wah becomes easier, the possibility of slander arising from the da'wah being delivered also increases. Therefore, preaching today is filled with challenges and sincerity. The appearance of facial negotiations when facing a da'wah problem is a very important thing to pay attention to. Because that way we can see the preacher's way of dealing with conflict. This research uses descriptive qualitative methods with content analysis techniques. The data collection techniques used were observation, documentation study, and literature study. The subject of this research is Gus Baha and the object of this research is the video content of criticism made by Faizal Assegaf as well as the video content of Gus Baha's response to this criticism. The results of this research show that Gus Baha displays a fairly calm, scientific and relaxed facial negotiation in responding to Faizal's criticism. Even though there is a lot of criticism aimed at Gus Baha, Gus Baha will not pay attention to it as long as the criticism is just empty talk. When criticized, Gus Baha tends to show a calm and scientific face.</em></p> Danii Syauqi Muhammad Totok Wahyu Abadi Copyright (c) 2024 Danii Syauqi Muhammad, Totok Wahyu Abadi https://creativecommons.org/licenses/by/4.0 2024-02-29 2024-02-29 12 2 91 97 10.21070/kanal.v12i2.1759